Inmediato

The frame holds one woman from her hair to her upper thighs: a window strip above the hair at the top edge, the bottom edge across both upper thighs under the skirt hem, her lowered arm and full hand inside the left edge, her bent arm inside the right edge, a doubled bust filling the center of the frame between the two arms. She stands slightly turned toward the camera, fingers with red nails on the open collar at the right side of the frame, the other arm down at her side on the left side of the frame, that hand fully visible with red nails. She is alone in the frame. Round thin metal glasses, dark arched brows, a straight nose, glossy lips slightly parted, smooth skin, eyes on the camera. Long silver hair, a clear forehead, a center part, hair past the shoulders. A bust twice a full bust, heavy teardrop shape, a soft lower curve, not spherical. The brown lace bodice is stretched to its limit by the bust, both cups pulled wide and outward, floral lace drawn taut, the white collar pulled apart, the open blazer fronts held far apart. The waist is much narrower than the bust, a deep inward curve at the sides. Open chocolate-brown blazer, three cuff buttons on the sleeve at the right side of the frame, an open white collar, one button at the waist, a tight brown beige and gray plaid mini skirt. An office with large grid windows behind her, a desk and a dark monitor at the lower left. Daylight from the windows behind her and to the right. A medium portrait, she is sharp, the windows behind her softly blurred.